David Altmejd (B: 1974) is a Montreal born sculptor who frequently represents Canada abroad and whose intricate works call to mind miniature stage sets, museum dioramas and architectural models.
(Above: installation at Château de Versailles, Bosquet des Trois Fontaines, France)
Altmejd earned a BFA from the Université du Québec in Montreal (1998) and an MFA from Columbia University in New York (2001). Galerie SKOL in Montreal hosted his first solo exhibition in 1998 as he developed his repertoire of incongruous elements (handcrafted werewolf heads and limbs, Stars of David, crystals, mirrors, fake hair, junk jewelry). Above: The Flux and the Puddle at MNBAQ
Drawing equally on his interests in biology and mythology, Altmejd combines the world of science with that of animist traditions and ancient legends. His hybrid creatures bring together grotesque and abject elements to explore worlds of dreams, nightmares, science, and fantasy.
His work often juxtaposes seduction and monstrosity, as Altmejd believes “things only really exist when they are paradoxical.” The image from Versailles (top of this post) is a werewolf, embodying the sudden release of uncontrollable forces. The werewolf symbolizes a host of classic opposites: human and animal, good and evil, life and death, beauty and abjection.
For the 2007 Venice Biennale, Altmejd created The Index, a darkly surreal installation of mirrors, stalagmites, weeds, impaled half-creatures, spindly pine trees and a life-size figure in a business suit whose head has been replaced with that of a bird, all of which seem suspended in continuous violent metamorphosis – Guggenheim profile
(The Index, above) Steel, foam, wood, glass, mirror, Plexiglas, lighting system, silicone, resin, taxidermy birds and animals, synthetic plants, synthetic tree branches, bronze, fiberglass, paint, burlap, leather, pine cones, horse hair, chains, wire, feather. 131 H x 510 1/2 W x 363 1/4 D inches
After showing at the Istanbul Biennial in 2003 and New York’s Whitney Biennial in 2004, Altmejd represented Canada at the Venice Biennale in 2007, and went on to win the Sobey Art Award two years later. His work can be found in public and private collections across Canada and around the world, including the National Gallery of Canada.
David Altmejd on Instagram, here.
At the National Gallery of Canada, here
Represented by White Cube, here.
This is #41 in the series 150 Artists.
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WOW! And then some.
Wow! Sometimes I see these “seemingly crazy” pieces and they just don’t work for me, but his overwhelming sense of detail draws me into the intricate bits and it enthralls!
THat’s an interesting observation about his sense of detail, thanks.
Frightening! But great. Arts should touch and st case: move people in my view…even if they feel unconfortable.
Yes I agree. I’m not a fan of his werewolf style, but the art is amazing and almost beyond creative. Glad you were moved!
Stunning and incredible.
What a mind, right?
Amazing, wonderful.
Wonderful actually is a perfect word, agreed.